Peddha Kapu 1 Review: Has Director Srikanth Addala Made an Impressive Return? Let’s Dive into the Film!

Cast:

Virat Karna, Pragathi Sri Vyart, Srikanth Addala, Rao Ramesh , Naga Babu, Rajeev Kanakala, Ishwari Rao, Aadukalam Naren

Director: Srikanth Addala

Music Composer: Mickey Jay. Meyer

Cinematographer: Chhota K. Naidu

Producers: Miryala Ramesh, Miryala Satyanarayana

Film Overview:

“Peddha Kapu 1” is touted as a political action film, crafted under the direction of Srikanth Addala, often hailed for his class-oriented direction. Contrary to the title’s suggestion hinting at a social class backdrop, the director stresses it’s a representation of the ordinary man and not tied to any caste. The film marks the debut of Virat Karna, a kin of producer Miryala Ravinder Reddy. Pragathi Srivastava takes on the female lead role. An intriguing twist is director Srikanth Addala not only taking the director’s chair but also donning a role with negative shades.

Plot:

Set against the backdrop of the 1980s, during the launch of the Telugu Desam Party by NTR, the village of Lanka is dominated by two powerhouses, Satyarangayya (Rao Ramesh) and Bayanna (Naren), who breed violence for power. Pedakapu (Virat Karna) works for Satyarangayya alongside his elder sibling. In an unforeseen circumstance, Pedakapu brother ends up serving jail time for Satyarangayya, only to later vanish. The plot unfolds further in 1983 when NTR forms the Telugu Desam Party. The oppressed and marginalized aim to induct just leadership for their upliftment. This is where Peddha kapu (Virat Karna), with his fiery spirit, plants the Telugu Desam’s flag in the village, defying Satya Rangaiah and Bayanna. The narrative unfolds to reveal Pedakapu’s resistance, the ensuing chaos, and the roles of Kannababu (Srikanth Addala) and others.

Film Execution:

The initial sequences focus heavily on caste-based confrontations in the Godavari district. A turning point in the narrative is the emblematic waving of the TDP flag, showcasing the plot’s depth. The dynamics between the ruling tyrants, the innocent villagers caught in the crossfire, and the rise of a significant leader are masterfully portrayed. However, certain scenes felt dragged. The narrative gains pace in the latter half, bolstered by intense events like Satya Rangaiah’s demise. The emotive and action-packed climax intensifies the film’s overall impact, with Anasuya’s role adding depth.

Performances:

Virat Karna, debuting as Pedakapu, showcases commendable potential, particularly in action sequences, although he seems a tad shaky in emotional heavy-lift scenes. Pragathi, as the female lead, isn’t granted much scope. Anasuya, portraying an elder sister, shines brilliantly. Rao Ramesh and Naren also deliver noteworthy performances. Srikanth Addala’s turn as Kannababu is refreshingly unexpected.

Technical Aspects:

Chhota K. Naidu’s cinematography is a visual treat, capturing the scenic beauty of Godavari in its essence. Mickey J. Mayer’s music might not be the film’s highlight, but his background scores resonate. Srikanth Addala’s direction, usually reliant on dialogues and songs, seems slightly off-course this time.

Pros:

Engaging Screenplay

Stellar performances by Virat and Anasuya

Compelling background score

Cinematography

Cons:

Prolonged scenes

Song placements

Rating: 3/5