Ananya Nagalla and Yuva Chandra starred in the latest film “Pottel,” directed by Saahith Mothkuri, who was introduced as a director with the movie “Savaari.” Recently, “Pottel” has garnered a level of publicity that small films rarely achieve. Released last Friday (October 25), the film has been receiving positive responses from audiences. Viewers commented that the film reflects very natural and real-life scenarios from the past. In this context, a viewer’s comment comparing “Devara” to “Pottel” has gone viral on the internet.
‘Much better than Devara’
The film “Devara,” directed by Koratala Shiva starring Jr. NTR, was recently released and created a tsunami of collections, grossing over Rs. 400 crores at the box office. Top-notch music director Anirudh worked on this film. A viewer’s comment comparing “Pottel” to “Devara” has been trending online. A YouTuber who went to the theater showing “Pottel” tried to gather audience opinions. In the process, he stopped the audience coming out of the theater and asked how the movie was. The viewer expressed in the video that he liked “Pottel” much better than “Devara.” Are smaller films better than big films? The YouTuber asked, to which he reiterated the viewer’s opinion that “Pottel” is better than “Devara.” This video is currently going viral.
Content is king
Regardless of whether it’s a big or small film, Telugu audiences appreciate good content, which is exactly what is happening with “Pottel.” This low-budget film with a solid story is captivating the audience. Recent films like “Aay,” “Committee Kurrollu,” and “Mathu Vadalara 2” also achieved success in the same way, despite not having big stars or big budgets. However, the Telugu audience embraced even “Devara.” Yet, it is intriguing that the viewer expressed a preference for “Pottel” over “Devara.”
What is “Pottel” about?
Director Saahith Mothkuri has depicted the rural backdrop of the 1980s in “Pottel,” transporting the audience back in time right from the beginning. In the first 20 minutes, he immerses the audience in village life, showing how the lower and vulnerable classes were oppressed and subjected to severe hardship. The film’s approach to caste, religion, and egotistical distinctions between big and small has become a major attraction. The introduction of characters, the love story between the hero and heroine, and other scenes beautifully set up the first half. The second part seems a bit faltering where the director over-emphasized the villain harming the main characters to evoke emotions, leading to scenes that stray from logic. However, the director succeeded in connecting the audience with the underlying message of the story.
Plot
The story unfolds in Gurramgadda village, located at the borders of Maharashtra and Telangana. The villagers conduct a festival for the village deity Balamma once in every cycle and offer sacrifices. It is believed that during this time, the deity possesses Patel (Ajay), the village head, who then prevents the villagers from progressing, particularly in education. On the other side, Pedda Gangadhari (Yuva Chandra) serves as the keeper of the sacrificial animals and secretly educates his daughter. When Patel finds out, he makes the sacrificial animal disappear. He threatens to sacrifice Gangadhari’s daughter if the animal isn’t found by the festival. What does Gangadhari do to save his daughter? Is he able to bring back the animal? What role does Bujjamma (Ananya Nagalla) play in this story?
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