Cast: Raj Tarun, Manisha Kandkur, Abhirami, Ammu Abhirami, Hyper Aadi, Goparaju Ramana, Srikanth Iyengar, Krishna Bhagavan, VTV Ganesh, Singeetam Srinivasa, Leela Samson, Rachcha Ravi, and others.
Director: J. Sivasai Vardhan
Music: Shekhar Chandra
Cinematography: Nagesh Banell
Producer: N.V. Kiran Kumar
Presented by: Maruthi
Release Date: 13-09-2024
Raj Tarun stars in the recently released film ‘Bhale Unnade!’ with Manisha Kandkur as the heroine, directed by J. Sivasai Vardhan. Produced by N.V. Kiran Kumar under the Ravi Kiran Arts banner and presented by Maruthi’s team, the film’s trailer and teaser have already garnered interest. This is Raj Tarun’s third film released within a month. After the previous two films failed to impress, Raj Tarun has high hopes for ‘Bhale Unnade!’ How does the film fare? Did it bring success to Raj Tarun? Let’s find out in this review.
Plot
Radha (Raj Tarun) works as a saree draper in Visakhapatnam. Raised by his mother Gauri (Abhirami) after his father’s early death, he helps her out. Krishna (Manisha), a new employee at the bank where Gauri works, becomes close to Gauri. Krishna enjoys the lunch boxes Radha prepares for his mother and falls in love with Radha’s cooking without even seeing his face. Similarly, Radha falls for Krishna through the letters she sends with the lunch box without meeting her. As they prepare for marriage with their elders’ consent, Krishna’s friend reveals something shocking at the engagement. This raises doubts about Radha’s suitability. What happens next? What test does Krishna set for Radha? Why does Radha keep a distance from women? Did their wedding take place?
Performance
Raj Tarun, as Radha, is captivating throughout the film. His acting has more scope compared to his previous films, and his emotional expressions are compelling. Manisha looks beautiful as Krishna, and their chemistry is well-portrayed. Abhirami, as the mother, captures the audience’s attention. Even though Singeetam Srinivasa appears only in a few scenes, he leaves a strong impact. Ammu Abhirami, Goparaju Ramana, and Srikanth Iyengar play their parts within their limits. Hyper Aadi and Nellore Sudarshan provide occasional comic relief. The rest of the cast performed adequately within their roles.
Direction
Director J. Sivasai Vardhan crafted this film with a concept of how modern society and women perceive a man aspiring to be like Lord Rama. The first half flows pleasantly with the love track between the hero and heroine and the bond between mother and son, anchored around the lunch box as a medium of their love letters. The twist at the engagement concludes the first half. The second half takes Radha on a background of why he distances himself from women, although it drags compared to the first half. The tests imposed on the hero in a Kerala ashram and the antics of Srikanth Iyengar do not pan out well. The way Radha and Krishna break up also lacks novelty. The climax is another weak point of the film.
Technically
Technically, the cinematographer does a great job with vibrant and fresh visuals. Shekhar Chandra’s music does not leave a lasting impression. The background score is passable, and the editing is fine. The production values are high.
Plus Points
– Raj Tarun’s acting
– Story background
– First half
Minus Points
– Lack of commercial elements
– Second half
