‘Tatva’ on ETV Win: Suspense, Thrills, and Unexpected Twists in Ruthvik Yelagari’s Latest

Cast: Hima Dasari, Pooja Reddy Bora, Osman Ghani, and others

Director: Ruthvik Yelagari

Music: Sai Teja

Cinematographer: C.H. Sai

Editor: Jai C. Sreekar

Art Director: Aravind Mule

Producer: Manasa Dasari

OTT Platform: ETV Win

Recently, OTT platforms have been home to many unique stories, with ETV Win bringing a different movie every week to entertain its audience. This week, the suspense thriller ‘Tatva’ was released directly on OTT. Featuring Hima Dasari and Pooja Reddy Bora as leads, directed by Ruthvik Yalagiri, this hour-long film has hit the screens, but did it win over the OTT audience? Let’s find out in this review.

What’s the story?

Arif (Hima Dasari) is a regular taxi driver who suddenly finds himself in need of money. In this quest, businessman Thomas (Osman Ghani) rides in Arif’s taxi. Realizing Thomas has the money he needs, Arif plans to get it by any means necessary. Unexpectedly, Thomas is murdered during their interaction, and Arif gets entangled in the case. Police officer Jyotsna (Pooja Reddy Bora) steps in to investigate. Who killed Thomas? How is Arif involved? What is the relationship between Thomas and Arif? Is Arif innocent? The answers unfold only through watching the movie.

How did they perform?

Although Hima Dasari is the main hero, it’s Osman Ghani who steals the show as Thomas. His portrayal adds depth to the character, making even a smile resonate with underlying intentions. Hima Dasari also captivates as Arif, bringing to life the struggles of a young man. Pooja Reddy landed a significant role, which seems straightforward at first but takes a surprising turn at the climax, pivotal in twisting the story. The film primarily revolves around these three characters, with other actors performing well within their roles.

How’s the direction?

Having worked as an assistant director for movies like ‘Run Raja Run’ and ‘Saaho,’ Ruthvik brings a unique style to this thrilling cinema. The film, which explains the fading humanity within individuals, starts grippingly, especially the first 20 minutes. Ruthvik aims to deliver his points without confusion, wrapping up the film in just 58 minutes, a definite plus. However, some scenes stray from logic and feel incomplete, which could have been refined for better impact. Those expecting commercial elements like songs, fights, romance, or love tracks might find it less appealing. Overall, Ruthvik’s directorial effort is commendable.

Technically speaking,

The cinematography is notable, especially considering most of the film takes place at night, delivering good visuals even in low light. The background music also strengthens the film’s atmosphere. Editing is decent, and production values are high. Technically, ‘Tatva’ scores well.