Tollywood’s Best Climax Scenes

A movie needs a proper ending. Regardless of how well the character arcs, storyline, humor, and emotions are blended, if the climax is off, the desired outcome isn’t achieved. That’s why directors consider the movie’s climax to be of paramount importance, designing it to be a decisive factor in the film’s success. Here are some of the best climax scenes from Telugu cinema that audiences remember even today.

Dasara

Starring Natural Star Nani and Keerthy Suresh, ‘Dasara‘ is a mass entertainer directed by debutant Director Srikanth Odela. The climax of this movie is exceptionally powerful, providing a strong finish to the narrative that flows moderately until then. Particularly, Nani’s transformation in this scene is noteworthy, as he decimates his enemies, leaving the audience in awe during the 15-minute-long climax.

RRR

Every scene in ‘RRR‘, featuring Ram Charan and Jr. NTR, is a visual scene. Director Rajamouli has crafted the climax with great excellence. Showcasing Charan and NTR as heroes battling against the British forces, the climax leaves an indelible mark. The scene depicting Ram Charan as Lord Rama and NTR taking down the British army is unforgettable.

Baahubali 2

Director Rajamouli brought the climax of ‘Baahubali 2‘ to life with a Hollywood-level spectacle. The sequence of Amarendra Baahubali using palm trees to infiltrate the locked Mahishmati kingdom captures the imagination. The ensuing battle between Prabhas‘ supporters and Bhallaladeva’s army culminates with Prabhas avenging his father’s death, providing a fitting end to the saga.

Gang Leader

‘Gang Leader‘, starring Megastar Chiranjeevi, remains unforgettable for mass audiences, especially for its climax. Chiranjeevi’s revenge against the villains who killed his brother makes for a highlight moment. The way Chiranjeevi avenges his brother’s death by using a giant boulder to crush the villain mirrors the manner of his brother’s demise.

Eega

‘Eega‘, directed by Rajamouli, stands as a testament to his creativity. The climax, where a simple housefly (Eega) kills the powerful villain Sudeep, is ingeniously crafted. Knowing its impending death, the fly sacrifices itself by flying through flames into a gun loaded with a chemical ball, igniting it to kill Sudeep, earning applause from the audience.

Pokiri

The climax of ‘Pokiri‘ is unprecedented in Telugu cinema history. Until the climax, Mahesh Babu is seen as a gangster, but it is later revealed that he is a cop on a mission to eliminate rowdies, surprising the average viewer. His revenge on Prakash & Co. in the climax for killing his father stands as a never-before-seen moment.

Thammudu

‘Thammudu‘ shows that a sports-based climax can be compelling, as demonstrated by director P.A. Arun Prasad. Pawan Kalyan, fighting for his brother in a boxing match, initially gets beaten by the villain but finds inspiration from his father and brother to make a comeback and fulfill his brother’s dream, earning praise from his previously disdainful father.

Kushi

‘Kushi‘, featuring Pawan Kalyan and Bhumika, has a unique climax crafted by director S.J. Surya. Set in a crowded railway station, Pawan Kalyan searches frantically for the departing heroine. The film ends on a light-hearted note with the married couple and their numerous children, leaving audiences smiling.

Virupaksha

‘Sai Dharam Tej and Samyuktha Menon‘s ‘Virupaksha‘ unfolds as a horror sensation. The climax reveals the heroine as the main villain, shocking the audience. The thrilling conclusion to the movie left audiences exhilarated, marking the climax as a pivotal success factor.

Sye

‘Sye‘, starring Niithin and Genelia, revolves around a college rugby match to claim a ground. The students, led by Nitin, engage in a gripping battle with villainous opponents, captivating the audience with their courage.

Robo 2.0

Directed by Shankar, ‘Robo 2.0‘ features a visually spectacular climax in a football stadium where Robo (Rajinikanth) confronts the villain Pakshiraja (Akshay Kumar). Such a climax is rare outside Hollywood, marking a unique moment in Indian cinema.

Ala Vaikunthapurramuloo

Allu Arjun‘s blockbuster ‘Ala Vaikunthapurramuloo‘ ends uniquely with a song, as directed by Trivikram. Bunny makes a dramatic entry into the villain’s house with ‘Sittharala Sirapadu’, ultimately teaching the villains a lesson, all within the duration of the song.

Attarintiki Daredi

The climax of ‘Attarintiki Daredi‘, featuring Pawan Kalyan and directed by Trivikram, stands out for its emotional depth, concluding the film without any fights, using just heartfelt dialogues. Pawan’s attempt to reunite his aunt with their family, and the concluding scenes at a railway station, leave a lasting impression.

Suswagatham

In ‘Suswagatham‘, directed by Bhimaneni Srinivasa Rao, Pawan Kalyan earnestly loves the heroine throughout, but she fails to recognize his love until the climax, where heartfelt dialogues resonate with the audience, highlighting the consequences of blind love among the youth.