Nandamuri Natasimham Balayya’s latest offering, ‘Bhagavanth Kesari’, opened in theaters today, exuding the sentimental vibes of a father-daughter relationship. Following his streak of hits like Akhanda and Veerasimha Reddy, Balakrishna collaborates with Anil Ravipudi, creating heightened anticipation among audiences. But does the movie live up to these expectations? Let’s delve into the review.
Starring: Balakrishna, Kajal Aggarwal, Sreeleela, Arjun Rampal, Sarathkumar Director: Anil Ravipudi Producer: Sahu Garapati, Harish Peddi Cinematography: C.Ramprasad Music: Thaman, Release date: October 19
Story:
Bhagwant Kesari finds himself in jail due to some unforeseen circumstances and is given responsibility by the jailer. He’s asked to protect the jailer’s daughter from dangerous people. Kesari makes it his mission to strengthen her defenses, but the girl, Vizzy Papa (Sreeleela), seems uninterested and wishes to be left alone. In a defining moment, Balayya steps up against villains threatening the girl, leading to unexpected developments. What exactly are these twists? What animosity do the villains hold against the jailer? Did Kesari fulfill his promise? Find out the answers by watching the movie in theaters.
How is it?
The film promises a mix of comedy and poignant emotional scenes between Balakrishna and Sreeleela, striking a chord with the audience. The film doesn’t quite mirror Balayya’s previous cinematic renditions, oscillating between light-hearted and emotionally charged moments, predominantly spotlighting the father-daughter sentiment.
Who did it?
Balakrishna, usually synonymous with action-packed performances, unveils a refreshing facet through his poignant portrayal of emotional sequences, fostering a tear-jerking cinematic experience. Sreeleela’s portrayal of Vijju breathes life into her character, promising her a landmark achievement in her nascent career.
Direction:
Anil Ravipudi, notable for his comedic brilliance, ventures into the realm of action emotional entertainer with Balayya, showcasing a narrative imbued with strength despite craving a touch more emotional depth.
Technical Aspects:
On the technical front, the film scores high with Thaman’s mellifluous music and Sriram Prasad’s captivating cinematography, although the background score seems slightly underwhelming compared to previous offerings.
Strengths:
- Compelling emotional exchanges between Balakrishna and Sreeleela
- Riveting action sequences
- A gripping interval
Weaknesses:
- Initial segments that somewhat miss the mark
- Lengthy scenes in parts
Conclusion:
Navigating through sporadic shortcomings, the movie crafts a tapestry of emotions, primarily focusing on the father-daughter dynamic, ensuring a heartfelt connection with the audience.
Rating: 3/5
